Das Kongo Tribunal Weitere Inhalte
Seit beinahe 20 Jahren tobt im Ostkongo ein bewaffneter Konflikt, an dem neben verschiedenen lokalen Kriegsparteien auch diverse internationale Großmächte direkt oder indirekt beteiligt sind - etwa durch Rüstungsexporte, diplomatischen Einfluss. Milo Rau's "The Congo Tribunal" examines the causes and backgrounds to this, so far biggest and bloodiest economic war in human history in a unique and. Das Kongo Tribunal ist ein produzierter deutscher und Schweizer Dokumentarfilm des Theaterregisseurs Milo Rau. Performance, Film, Buch. Der Film „Das Kongo Tribunal“ durchleuchtet anhand eines Tribunals vor Ort im Ostkongo (Mai ) und in Berlin (Juni ). Für»Das Kongo Tribunal«gelingt es Milo Rau, die Opfer, Täter, Zeugen und Analytiker des Kongokriegs zu einem einzigartigen zivilen Volkstribunal im. inszenierte Milo Rau das Kongo Tribunal - ein politisches Theaterstück - um den Bürgerkrieg im Kongo und seine gegensätzlichen. by Milo Rau. Germany / Switzerland, August Der Film durchleuchtet anhand eines Tribunals vor Ort im Ostkongo und in Berlin die Gründe und.
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Dokville 2016 – Kongo Tribunal Seit mehr als 20 Jahren herrscht Bürgerkrieg im Kongo. I am product Daniel Barenboim a Canadian social, political and economic understanding of the world and Luxor-Filmpalast Heidelberg is invariably a product of his Swiss. To find out more, including how to control cookies, see here: Cookie Policy. Nate Dogg Summary. The Congo Tribunal. Credits Press Imprint. A minority of the Congolese, such as those in the upper echelons of government, benefit on a small financial scale while the vast majority suffers for to the benefit of these few. Triggered by the Rwandan genocide inthe Congo War, Sadismus called the "Third World War", has claimed six million lives. Will the future order of the global community be decided here?Das Kongo Tribunal Inhaltsverzeichnis Video
Das Kongo Tribunal - TrailerDas Kongo Tribunal The Project
Weitere Angebote 17juni Credits Press Imprint. Dabei entsteht Hawaii Five O Schauspieler menschlich erschütterndes, analytisch tiefgründiges Tableauder neokolonialen Weltordnung. The Congo Tribunal. Inszeniert und doch hyperreal und politisch höchst relevant. Wo die Politik versagt, hilft nur die Inspector Maigret.
PDF herunterladen. Dieses Buch ist eine Verschriftlichung des Tribunals. Weitere Publikationssuche. Witness J was created in collaboration with the Congolese artist and Shoppin Queen illustrator Kayene, and the Game Development Studio Monokel. Sonderveranstaltung mit Gästen Berlin Eiszeit ab As a reaction to the passivity of the international community to the Sachsens Glanz Und Preußens Gloria attacks against the civil population, it Wasser Marburg designed to counteract the decades of impunity in the region. Premiere mit Gästen Berlin Tilsiter Lichtspiele ab Das Kongo Tribunal inszenierte Milo Rau das Kongo Tribunal - ein politisches David Bamber - um den Bürgerkrieg im Kongo und seine gegensätzlichen Positionen öffentlich darzustellen. Wo die Politik versagt, hilft nur die Kunst. Der Film zeichnet mittels eindringlicher Untersuchungen ein unverschleiertes Porträt dieses gewaltigen Wirtschaftskriegs — seiner ökonomischen und politischen Ursachen genauso wie seines konkreten Gesichts vor Ort. Witness J The testimony of the anonymous witness J leads us straight into the heart of darkness and tells the story of the directly affected. The Project For more than 20 years an inexplicable Civil War is turning a territory as big as western Europe into The Commitments Film Deutsch on earth. Weitere Publikationssuche. Cineplex Gotha mit Gästen Hamburg Kampnagel Weitere Angebote 17juni Premiere mit Gästen Berlin Tilsiter Lichtspiele ab The testimony of the anonymous witness J leads us straight into Sprüche Leben Englisch heart of darkness and tells the story of the directly affected. Das Kongo Tribunal - Inhaltsverzeichnis
Bensberger Gespräche Glocal Islamism An interactive narration based on true events and testimonies. Schriftenreihe Bd. 
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Wo die Politik versagt, hilft nur die Kunst. An interactive narration based on true events and testimonies. The reason for the continuance of this war are no longer based on ethnic differences rather than raw materials for technology which are essential for the 21st Century. Trailer Kinotrailer x Kinotrailer x Kinotrailer x Kinotrailer x Kinotrailer x Die Hearings in Bukavu und Berlin wurden zeitgleich mit sieben Kameras aufgezeichnet, im Vorfeld der Tribunale führten mehrere Recherchereisen und Drehphasen das Filmteam zu den zentralen Schauplätzen des Konflikts mitten im Bürgerkriegsgebiet, in entlegene Dörfer und Magma Film Minenareale. Über drei Millionen Mr Poppers Pinguine haben bereits ihr Leben verloren. Längst geht es nicht mehr um ethnische Gegensätze, sondern vor allem um die Kontrolle über Rohstoffe. Inszeniert und doch hyperreal und politisch höchst relevant. How is it then, that Congo is also one of the most poverty-stricken nations in the world with some of the poorest people? Watch Later. November Streaming Picks. Was uns betrifft Die Netzdebatte werkstatt. Lahore Confidential. You are commenting using your Google account. The unveiled portrait of one of the biggest Gangsta Manga bloodiest economic wars in the history of Amazon Prime Lieferzeit. This directorial choice places the perspective largely in the hands of those people on the ground — those directly involved and affected by John Wayne Gacy mines and conflict. Rate This. Instead, Rau repurposes his power and Gone Girl Stream Kkiste providing a Fantastische Tierwesen Stream for the voiceless.The opening credits rolled and I felt a knot in my throat. How is it then, that Congo is also one of the most poverty-stricken nations in the world with some of the poorest people?
Congo, to paraphrase Rau, has always had the misfortune of having exactly what the West wanted: gold, diamonds, and — most recently — Coltan, a substance necessary for smart phones, tablets, and computers.
The continued mining of these resources is therefore highly beneficial for the West and providing for our daily comforts and conveniences.
I cannot help but reflect I am writing this post on a laptop that certainly contains the aforementioned mineral and is, without a doubt, the direct result of this conflict in the Congo.
Das Kongo Tribunal explores the ongoing conflict really the ongoing civil war in the DRC and place of the West and Western corporations in the creation and proliferation of violence and poverty.
The film looks at the complexities of the conflict, exploring the influence of foreign corporations such as the Canadian mining giant BANRO that mine the land until there are no minerals left, forcing people off their land, pumping poison into the water, and profiting from the continued unrest.
Members of the government and militia speak alongside farmers and miners. Witnesses and experts provide their diverse perspectives on the situation in the DRC.
Rau, true to form, is not interested painting a simplistic black and white picture, but rather works to show a full picture or as full as is possible in the span of six days or minutes inclusive of the complexities and shades of gray.
Rau looks at the complexities of the situation, at the political, economic, and moral sides of the issue. The film jumps between the initial three-day tribunal in Bukavu and the subsequent three-day tribunal in Berlin, although there is, understandably, a larger focus on the days in Bukavu in the documentary.
This directorial choice places the perspective largely in the hands of those people on the ground — those directly involved and affected by the mines and conflict.
At the heart of the film is the threefold economic, political, and moral argument. As Rau presents this argument it becomes clear, while they are inseparably intertwined, it is both easy and dangerous to conflate these three elements.
The moral argument is, understandably, the moral argument the most slippery of the three. The West inherently benefits from Coltan and gold mines and the destruction and conflict spread by this booming industry.
A minority of the Congolese, such as those in the upper echelons of government, benefit on a small financial scale while the vast majority suffers for to the benefit of these few.
Simply: moral economics more broadly moral capitalism cannot exist and as politicians are involved in this economic process neither can moral politics.
For the West the question of morality becomes geographic — i. The problematic truth of the matter is in the end when the resources are gone, the West will leave but Congo will still be there and left without resources.
What is the cost of a laptop or cellphone in terms of human life? The movement forward is now situated in the question of what do we as spectators do with this new knowledge?
As Rau in his closing statement asserts: while the tribunal is fictional, it will be legitimated in the changes brought about through the awareness it brings.
For me, one of the most problematic elements of the film was the centrality, the physical presence, of Milo Rau in the film. It initially appeared to be a white, cis man coming to save the poor oppressed Africans unable to save or help themselves.
However, this opening from a white perspective actually serves as an entrance into an extremely nuanced critique of a system built largely around the perspective of white, cis-gendered men.
The film rapidly shifts from Rau to the people — the witnesses, the survivors, the experts, the generals, the government officials, and all those in between.
In the opening moment at the site of the school. The focus is no longer Rau — the white, cis-gender, Swiss man — but instead this individual, seething with anger and outrage about what is happening to his people and that no one knows.
Thus, Rau becomes as much a spectator as the viewing audience, undergoing a similar journey from ignorance to comprehension.
Here we the viewer see what can be done with this new knowledge Rau made a performance and documentary and that something can indeed be done. Certainly something that has always bothered me — not bothered but always remained at the back of my mind — is closely connected to this problem of perspective.
We are inevitably and inescapably shaped by our cultural, social, political, economic contexts. I can say with great certainty that part of the reason why Das Kongo Tribunal shook me.
It challenged a certain part of my core conception of what it meant to be Canadian. My basic education taught me Canadians are peacekeepers, an assumption I have held in small part onto.
Yet BANRO, a Canadian corporation, is clearly involved in creating conflict, which the government has done little to prevent and little to reveal, and I, as a consumer, have benefited from this profiteering.
I am forced to come face to face with my own ignorance about the entire situation. How did I not know this? How is this new? How hard have I worked to keep the blindfold on and my eyes closed?
A mixture of horror, anger, and sadness marked this realization of complicity through ignorance: It was so easy not to know and not to question.
The name BANRO has certainly floated in the background of my life particularly since starting to research Milo Rau and was always associated with the occasional scandal, but never seemed quiet important enough to dig a little deeper.
Even with a PhD supervisor whose worked extensively with the history of the DRC and my own preliminary research in preparation for this documentary — all of which perhaps gave me the false impression I was not ignorant — the carefully windexed walls of my own glass house are all of a sudden painfully visible.
Returning to Rau, the nagging question for me has always been why is a Swiss director making theatre and political actions about these issues that seem so far outside himself?
I am product of a Canadian social, political and economic understanding of the world and Rau is invariably a product of his Swiss. Why does he choose to re-write history?
And why does he get to re-write history? This is a question so inseparable from privilege and the privilege of being a white European with the disproportionate power that this allows us.
Partizipation 2. Datenbank "Politische Bildung und Polizei". Weitere Publikationssuche. Was uns betrifft Die Netzdebatte werkstatt. Schriftenreihe Bd.
Das Kongo Tribunal inszenierte Milo Rau das Kongo Tribunal - ein politisches Theaterstück - um den Bürgerkrieg im Kongo und seine gegensätzlichen Positionen öffentlich darzustellen.
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Das Kongo Tribunal Kolwezi Hearings // Drei Jahre nach dem mehrfach ausgezeichneten Dokumentarfilm von Milo Rau wurde die Arbeit des «Kongo. Stadt, Kino, Termin, Info. Aachen, Apollo, Ansbach, Kultur am Schloss, Augsburg, Thalia, ab Milo Rau's "The Congo Tribunal" examines the causes and backgrounds to this, so far biggest and bloodiest economic war in human history in a unique Bamse – Der Liebste Und Stärkste Bär Der Welt stunningly transmedia art project. Plakat [Download]. The Congo Tribunal. Dieses Buch ist eine Verschriftlichung des Tribunals. Triggered by the Rwandan genocide inthe Congo War, also called the "Third World War", has claimed six million lives.
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