The Girl On The Train More details
Die geschiedene Alkoholikerin Rachel Watson beobachtet bei ihrer täglichen Zugfahrt nach London das scheinbar perfekte Pärchen Scott und Megan, das in einem Haus entlang der Strecke lebt. Doch eines Tages sieht sie etwas Schockierendes. Als sie am. Girl on the Train (Originaltitel: The Girl on the Train) ist ein US-amerikanischer Thriller des Regisseurs Tate Taylor aus dem Jahr Der Film basiert auf dem. Girl on the Train. Du kennst sie nicht, aber sie kennt dich. (Originaltitel: The Girl on the Train) ist ein Roman der britischen Autorin Paula Hawkins aus dem Jahr. "Paula Hawkins trifft mit "Girl On The Train" ins Schwarze. [ ] Racheengel oder Retterin? Der Charme von "GOTT" liegt in dieser Ambivalenz." (Felicitas von. swtadeusz.eu - Kaufen Sie Girl on the Train günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer. Thalia: Infos zu Autor, Inhalt und Bewertungen ❤ Jetzt»The Girl on the Train«nach Hause oder Ihre Filiale vor Ort bestellen! THE GIRL ON THE TRAIN. GERMAN PREMIERE. A psychological thriller based on the best-selling novel by Paula Hawkins and the Dreamworks film, adapted.
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The Girl on the Train Official Trailer 1 (2016) - Emily Blunt MovieWould you likes a little bit of wine? You know what they say, a little vino would be keen-o. Mores for me then. Oh, check it out.
Oh, sees that house over there going by? That used to be my house. True story. Me and my husbadand lived there. But the ole bastard cheated on me and lefts me and then he marriesss that stupid cow and then he knockeded her up and now they got a stupid cow kid and they lives in my house!
Can you believes that? Now he the rottens old bastard lives there with his stupids new wife and their stupid battery….
Did I say battery? I meant baby. And a little wine See that other house? The ones just a couple a few doors downs from my old one where you can totallys see their deck?
A beausfiful couple lives there. I watch them every time I goes by on this here trainy-train with my glasses of wine as I ride, and I can just tell that their greatests most happiest couple who ever was…Lots better than the my stupid ole ex.
Seeing them be such a absofantabulous couple rights by where I used to live is the one part of my stupid day I enjoy when I ride this train.
Wass that you say? Been in all the papers? Since Saturday, you says? Thass right. I remembers now. But I had ones or twos too many, and I blacked out….
Do ya think maybes I saw something? But first Imma gonna puke all over your shoes. Sorry about this…….. After listening to her inebriated babblings for a very short while you immediately know more about her situation than she does, and you could easily tell her what she missed.
View all 90 comments. This is one unsettling little thriller and the best bit about it is that no one can be trusted , including the three female narrators who share the storytelling of this book.
I literally read this entire novel in one sitting and I now need to find the words to convince you to go get your hands on it. Between an alcoholic, a liar and a cheat, who can you trust?
These are the three women at the centre "Something bad happened. These are the three women at the centre of this book: Rachel, Anna and Megan.
Have you ever sat on the train, glanced at the people around you or out of the window, and made up stories about them?
Maybe you've even gone so far as to invent names for these people and imagine their perfect or not-so-perfect lives. Rachel is that girl on the train who takes her mind off her own life by imagining the lives of others.
Specifically the lives of "Jess and Jason" who live at the house outside her train window when the train stops at the same red signal every morning.
But then one morning, things are not as they are supposed to be and Rachel sees something that completely shatters the "Jess and Jason" image which exists in her head.
Now she is pulled into their lives. Unsure exactly what she knows but certain she cannot rest until she finds out. This book is just full of secrets.
Everyone has them. It's about all the little mysteries that exist just outside of what we see on the surface.
What goes on behind closed doors? How much can you ever really know a person? What horrors exist in that black spot of your memory from Saturday night?
It was fascinating, gripping and oh so very creepy. Hawkins has been added to the small group of thriller authors on my "must buy" list. Blog Facebook Twitter Instagram Tumblr I read this book due to the fact that everyone else read it.
Yes, mom I would jump off the cliff right behind everyone else. These are some fucked up characters. I think the new trend in books where every one of the characters is an asshole may be the way to go if you are writing a book that you want to take the world by storm with.
The thing is It gets frigging boring. I wanted a bus to hit them all. May go sorta spoilery: You have Rachel. Rachel is a drunk, she gets on the 8 I read this book due to the fact that everyone else read it.
Rachel is a drunk, she gets on the train every morning and then on again in the afternoon on her way home. Pretending to go to work. She got fired for drinking and basically acting a damn fool..
Sometimes she can't wait to take a drink before she gets home. She sees "Jess and Jason" everyday. Or that's what she calls them in her head.
They live near her old home. Where she lived with her ex-husband who cheated on her. I think not. She sees Jess kissing a guy that isn't Jason.
So her little mind starts to working. Then Jess aka Megan goes missing. Rachel then decides to go to the police with what she knows. Then the police find out she is not the most reliable of witnesses and tell her to stay out of it.
Of course, that's not happening. Now for the twist. That one I saw coming and kept thinking "no way" it can't be that easy.
This book wouldn't be so popular. I need to stay away from super, duper popular books. Because, I'm just calling Bullshit. The writing is not bad in this book, so I'm not giving it the rating for that.
I'm giving it the rating because I personally hated it. Jan 01, Michelle rated it did not like it. I just sent a 3 page, 3, word email about why I didn't like this book to a friend, and I still feel the urge to express myself.
I suppose that tells you just how much I disliked it. This thing is a hot mess, the writing is clumsy, there are things that don't make any sense, the characters are pathetic and the opposite of complex.
The 'plot twist' is easy to guess not even halfway through the book, and the who-dun-it moment, where we find out who the bad guy is, while predictable, doesn't make any sense to me, considered how this book is written and what we know about the characters.
Exposition, people. There isn't any. You might argue that it's because of the unreliable narrator, but I'm not buying it.
Good writing works its way around it. Also, I didn't know 'thriller' translated to 'no character development'. And have I mentioned the clumsy writing?
This book was, above all things that I honestly didn't care about , awkward. Jan 06, Wendy Darling rated it really liked it Shelves: adult , major-plot-twist , penguin , read , january , favorites , uk , unreliable-narrator , psychological-thriller , publication.
It's also a well-written, precisely plotted psychological thriller, and deftly sketches one unreliable narrator after another. I guessed the culprit not too far into the book, but that didn't spoil my reading experience at all, particularly because the author drops so many diverting and convincing red herrings into the story.
I think it's also interesting that t 4. I think it's also interesting that the central character, Rachel, challenges readers to think about how much we assume about--and pre-judge--other people based on our limited knowledge of them.
To feel pity, disgust, frustration, compassion, and so much more for one character is a rare thing. View all 83 comments.
Jan 12, Alexandra rated it did not like it. Depressing from start to finish. Most every single character was a hot mess.
I have literally no idea why there are so many 5 star ratings. It kind of scares me. If this kind of garbage is what the masses find appealing I mean..
I didn't care at all about the "mystery. It just felt like a tedious glimpse into the messed up lives of people I'd rather not know anything about.
Susa Exactly! Oct 30, AM. Feb 24, Regan rated it really liked it Shelves: books-owned-read. Good read but the ending fell a little flat for me.
View all 44 comments. Jan 05, Jayson rated it really liked it Shelves: read-in , genre-mystery , pp , genre-thriller , author-african , author-british.
View all 45 comments. Jan 13, Holly rated it did not like it Shelves: , disappointing-reads , hot-mess , books-that-make-you-go-wtf.
What a huge disappointment. The concept sounded amazing, and it got off to a promising But it quickly turned into this messy, melodramatic story that was neither surprising, or original.
Much like in Gone Girl, there was not a single likable character in the entire book. That wasn't the main problem for me, though.
I could see the ending coming from a mile away. Actually more like I figured out who the main villan was within the first 20 pages. Never a ringing endorsement.
View all 38 comments. Jun 02, Will Byrnes rated it liked it Shelves: fiction , mystery , thriller. I read this one out of curiosity.
Aware that it had been a huge market success, I wondered if it merited the sales. According to Riverhead, The Girl on the Train is, or was, the fastest-selling adult hardcover fiction debut ever.
And that is a shame. With so many great books being published every year that do little or no business, for this one to have secured a first class ticket on the book-sales express can only be dispiriting to the good and great writers everywhere toiling away in third cla I read this one out of curiosity.
With so many great books being published every year that do little or no business, for this one to have secured a first class ticket on the book-sales express can only be dispiriting to the good and great writers everywhere toiling away in third class on the oft-delayed local.
I do not mean to say that The Girl… is a bad book. Although I believe it to be seriously flawed, it is most definitely entertaining and will no doubt help hundreds of thousands of readers while away a few hours of their our lives, getting from this station to that.
Paula Hawkins Rachel Watson has had a tough go of it. When her hopes of having a baby with hubby Tom did not work out, she landed in a trough of post-hope depression, and self-medicated with a steady flow of what seemed happier spirits.
It did not work out. Now, divorced and unemployed as a result of her drinking, growing larger and pastier by the day, Rachel rides the commuter train to London on weekday mornings, pretending she is still working, pretending she still has a life.
The ride takes her past her old neighborhood, offering a nice, mood dampening view of a stretch of railroad-edge homes. She used to live in one of those, before her ex bought out her interest.
A few places away from her former home there is a couple she sees most days. She imagines lives for them, nursing this fantasy for quite some time, until she learns that the woman has vanished, and the game is afoot.
The notion for the story occurred to Hawkins on her regular train ride in London some years back. I did idly wonder about what you would do if you saw an act of violence or something suspicious.
We expect our investigators these days to be a bit down on their luck, and to throw back maybe more than their share of amber liquid. The tale is told in staggered chronology, from three perspectives.
Or she said, she said, and then she said. The timelines converge at the end. Most sections are divided into sub headings of morning, evening, afternoon, that sort.
It makes for many short passages, good, appropriately, for reading on a train. This is an example of the S stock used on the District line Hawkins once rode The pace of the tale is quick, clickety-clacking along without exceeding posted limits, advancing nicely to the big climax.
Truthfulness comes in for some attention, as it seems everyone has something to hide. If you are looking for likeable characters, you might try the Hogwarts Express.
The folks here tote enough baggage to merit their own cars. I suppose Rachel is sympathetic, but seems almost as much an agent of her misery as a victim.
Making her pathetic and annoying was, I expect, a way to make her real, make her sympathetic, and that works, to a point.
Will Rachel find out what happened with the missing woman? Will her ex take out an order of protection against her, as she keeps calling and showing up at his place?
Is the missing person merely missing? Can Rachel stay sober long enough to figure anything out?
You might very well care. Clearly, judging by sales, many do. But, while I did, a little, I felt pushed away by this book. I felt cheated, as an actual audience member, as if riding on a disoriented express.
I do understand that the unreliable narrator is simply a story-telling mechanism and that Rachel falls into the Madman classification within that, but when she changes her story about a significant piece of information the story went off the rails for me.
So, while there is plenty to enjoy about The Girl on the Train , while there is plenty of tension-release-repeat, and while many readers are bound to be transported by the story, relating to or rooting for one or more characters at least some of the time, the one thing a reader demands from an author is honesty, and when trust is lost so is the benefit of the several hours we spend together.
The locomotive was transformed, for me, into a hand-car trapped in a siding. She got work writing chick-lit under the name Amy Silver, an experience that she says was great training.
Hawkins, born and raised in Zimbabwe, was 17 when her family moved to London. She had wanted to be a foreign correspondent like her father, but decided that war zones were just too scary.
Check the Guardian piece if you are interested in getting more info on the author. I know there are only a gazillion. Do feel free, however to add your favorite train books in the comments.
I will be happy to add those to this list if you like. I have not gotten around to installing links for all of these, but I expect you guys can manage 4.
I tried to enjoy it! I swear I did! The hype told me that I had to! I wasn't bad, but it wasn't good either. I never really cared about the story and ALL of the characters were unlikeable.
Sometimes characters are unlikeable in a good way, but not this time. At no point was I excited to be reading this.
It has to be intentional to ride the coattails of other successful titles. I noticed on my library site that there is I tried to enjoy it!
I noticed on my library site that there is another popular checkout called Girl on a Train - I wonder how many people thought they were getting the other one!
There might be some ranting ahead. This has frequently been called the next Gone Girl. And yes, that is to some extend why I wanted to read this.
Out of these three things I got one — an unreliable narrator. But one written so clumsily and shallow that I was annoyed, not intrigued, by her.
The shift between narrative points of view and the two timelines seem like an artificial way of keeping the reader in the dark.
The alcohol-induced blackouts of the main character just add to that feeling. It was simply clumsy and trite. These aspects annoyed me to no end but the absolute worst thing about Rachel and the two other female narrators was how pathetic they were.
Throughout the book I got the feeling that Paula Hawkins must hate women; hate them with a passion. Women in this novel are portrayed as unstable going on batshit crazy , weak, dependent on men , and insecure.
Every single woman mentioned defines her personality in relation to a man. They doubt themselves, their capabilities and decisions.
The men, in contrast, are all mysterious but strong and sure of themselves. They are there to give definition and meaning to their wives, girlfriends, mistresses, and sons.
Even those women on the side-lines of the plot are only defined by their relationships to men. Still, even the supposedly reasonable character is defined by her boyfriend.
And these are only the minor female characters in this novel. Rachel, Anna, and Megan are all pathetic in their very own way.
And every single thought they have is about how their decisions or actions might affect their husbands, ex-husbands, boyfriends, or lovers.
I also know what Hawkins was trying to do. She wanted to show the dark side of domestic life — just like Gone Girl did.
But in my opinion she has utterly failed to do so. View all 49 comments. Dec 23, Lisa rated it it was ok Shelves: taming-the-tbr , mysteries-and-thrillers , british.
This review has been hidden because it contains spoilers. To view it, click here. I am so disappointed in this one. It started out promising enough, but the writing and the drama got old fast.
There was really only one person who could have done it, and because of that I kept thinking it must be someone else.
But it wasn't someone else. By the time the big reveal happened, I was so ready for the whole thing to just be over already.
I started out thinking I had a 4 star book in my hands. Halfway through I was looking for an excuse to give it 3 stars.
Finall I am so disappointed in this one. Finally, with about 30 pages left, I knew that 2 stars was going to be a gift. Well I'm in a generous mood or kind of disappointed in myself for buying into the hype and 2 stars is what I'm giving it.
My advice which you probably shouldn't take because everyone else is loving it is to skip this one entirely.
A weak 2 stars. View all 80 comments. Dec 07, Cristina Monica rated it really liked it Shelves: mystery , adult. I feel like I've been holding my breath for pages and only now finally exhaled.
View all 16 comments. But then, I remember that I have books older than my brother, sitting and rotting on my bookshelf that have lost all kind of hope in begging me to read them, I just feel better about this 4.
But then, I remember that I have books older than my brother, sitting and rotting on my bookshelf that have lost all kind of hope in begging me to read them, I just feel better about this one.
The Girl on the Train by Paula Hawkins is, indeed, a very well-written thriller. At some point in my life, everyone around me talked about this book and now, after reading it, I understand why: it was actually brilliant.
I cannot say it impressed me at first on the verge of admiration. But, boy. How were the last pages? Rachel, our alcoholic, drank much.
Like too much and at inappropriate hours. She knows she has a problem. Her life is miserable, it just fell apart, she wants nothing more to do with it and, if you look at it with your eyes closed, it is quite understandable to drown your sorrows in this kind of evil liquids.
Rachel also has a tendency to distort the reality more than the alcohol in her veins does and keeps imagining all sort of stories for people around her that actually exist, but do not live exactly how she thinks they do.
And that can cost her dearly if caught lying. She knows everything, but how much is it true or real? Cutie, eh? I know, we are a very lovely breed, us, Romanians, but moving on….
Before putting an end on this, I would like to discuss another thing that wrecked my nerves. Okay, I understood the fact that because of some circumstances, Rachel got an ugly depression and started drinking.
But the way she was treated by everyone in her life, including her bastard ex- husband is just so cruel and unfair.
How is a normal person going to get through tough times when there is no one good by his or her side to push them towards what is right? It is the same cruel manner of expression, with violent truths and obscene language.
The same sinister way of presenting reality. It is absolutely fascinating. Analysing all those things I encountered during the action, I realised that it is more under the words than above them.
And this kind of thing is important because this gives a book the opportunity to live forever. View all 13 comments. May 21, Jeffrey Keeten rated it really liked it Shelves: book-to-film.
But my better angels lost again, defeated by drink, by the person I am when I drink. Drunk Rachel sees no consequences, she is either excessively expansive and optimistic or wrapped up in hate.
She has no past, no future. She exists purely in the moment. Drunk Rachel Rachel rides the train into London every day to keep up the pretense that she has a job.
The truth is she lost her job months ago when she showed up to work inebriated, not just buzzed or mildly intoxicated, but sloppy drunk. It was around the time when she was trying to get pregnant with her now ex-husband Tom.
He impregnated his mistress instead. Rachel used to be attractive, curvy, and pretty, but now the curves have lost their buoyancy, and her face has become puffy.
She is melting down into someone unrecognizable. The pain that used to be internalized is now manifesting itself into a grotesque mask. She drinks to escape.
I pass out cold for an hour or two, then I wake, sick with fear, sick with myself. Sometimes she blacks out. The problem with THAT is she loses so much control over what she does or what she remembers.
When she blacks out she has to believe what others tell her. This is when she writes painfully embarrassing emails to her ex-husband.
This is when she is capable of doing something that she would never consider doing sober. The train takes Rachel by her old life every day.
The subdivision with the beautiful house that she thought would be hers forever is part of her daily view. She can look right into the backyards of the homes, and there she starts to notice a couple, a perfect couple who seem to love each other.
She projects a life onto them, even giving them names, and starts to look forward to any glimpse of them that will allow her to add to the fairy tale narrative that she has been assembling about them on her daily rides into work.
Then one day she sees something that brings the whole house of cards tumbling down. We can look at other people and think their lives are wonderful.
They must be leading so much more successful and meaningful lives than we do. The problem of course is that we know everything about our lives.
Every failure is duly noted on a spooling list. Our successes are tempered by our own feelings of inadequacies. Every debilitating slight to our self-esteem etches away at the foundation of our ability to see beyond the things that have went wrong.
What we have to remind ourselves of is that, though people may seem to be leading perfect lives, everybody has problems. We are all doomed to be disappointed, to falter, to make mistakes, and sometimes destroy ourselves.
Scott and Megan, as it turns out, are no different. Her mythical couple have names as it turns out, not the ones she chose for them.
Every day, she takes the train in to work in New York, and every day the train passes by her old house. The house she lived in with her husband, who still lives there, with his new wife and child.
As she attempts to not focus on her pain, she starts watching a couple who live a few houses down -- Megan and Scott Hipwell.
She creates a wonderful dream life for them in her head, about how they are a perfect happy family. And then one day, as the train passes, she sees something shocking, filling her with rage.
The next day, she wakes up with a horrible hangover, various wounds and bruises, and no memory of the night before. She has only a feeling: something bad happened.
Then come the TV reports: Megan Hipwell is missing. Rachel becomes invested in the case and trying to find out what happened to Megan, where she is, and what exactly she herself was up to that same night Megan went missing.
Even baffling. There's an uneasy feel to this from the start. Something's off. Something's not right. Is this even reality, or is it a fantasy taking place inside the mind of a very disturbed woman?
The disturbed woman in this case is Rachel Emily Blunt. She's an alcoholic and rides the same train every day, past the house where she used to live with her ex-husband.
She sees their neighbours, and wonders about them and about their relationship. The female neighbour is the nanny to her ex-husband, his new wife and their baby.
The movie mixes the story of all three Rachel, Anna - the new wife, and Megan - the nanny together. What drives it forward is that Megan has gone missing, and the question is what happened to her and who was responsible.
For a while I found this an unpleasant movie to watch. To be honest, I had to turn it off at about the half hour mark.
It wasn't hitting home with me. But there was something about it that drew me back; I needed to see how this was going to turn out.
In the end I was glad that I did. It overcomes the bleakness of the first half hour and although it still seems to walk the line uneasily between fantasy and reality, the mystery involved gets more and more engrossing, and the plot twist you knew something had to be coming happens with about a half hour to go - and it was, to me at least, completely unexpected.
Not all is as it seems to be. The inter-twining of the stories of Rachel, Anna and Megan leads up to a sobering finish. In the end I was surprised to discover that I was actually quite awakened from the slumber-inducing first half hour or so and really wanted to see how this was going to end.
Emily Blunt's portrayal of Rachel was strong. The supporting cast was all right - I didn't think there were any outstanding performances aside from Blunt's, but it was Blunt's movie, and she pulled it off.
It has to overcome that slow and bewildering first half hour, and it won't appeal to those who want a straightforward plot or who are put off by a movie with overtly dark tones.
But by the time this was over I could honestly say that I was glad I watched it. Looking for something to watch? Choose an adventure below and discover your next favorite movie or TV show.
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Visit our What to Watch page. Schitt's Creek. Then Jess aka Megan goes missing. Michael McCusker Film Editor. Super Reviewer. The Girl On The Train Movies / TV Video
فيلم The Girl on the Train - فتاة القطار - كامل مترجم Rachel Distopie involved in a crime she has nothing to do with. Who said that following your heart is a good thing? Girl on the Train. Im Rausch kontaktiert Rachel auch Scott, Megans Ehemann, woraufhin zwischen den beiden eine kurzzeitige Affäre entsteht. Die deutsche Übersetzung von Christoph Göhler erschien am Obwohl sie seit ein paar Jahren getrennt sind, liebt sie ihn immer noch, und brach sogar einmal in Baywatch Kelly Rohrbach Haus ein und entfernte sich mit dessen Go Home. Rachel wollte selbst gern Kinder haben, als dies nicht gelang, suchte sie Trost im Alkohol, was Konsequenzen für ihre Ehe hatte. Ich fand das Buch sehr spannend,etwas anderes lesen ist zwischendurch immer gut.The Girl On The Train - More TV shows & movies
Sie beobachtet mit Interesse das übernächste Haus, in dem ein, wie ihr scheint, glückliches Paar wohnt. Watch all you want. Rachel Watson, who spent the last few years stumbling through life in a booze-filled depression ever since her husband left her, longs for a different life. Their life — as she sees it — is perfect.
Der Film erhielt gemischte Kritiken. Paula Hawkins Hugely Impressive. Anna hilft nach, um sicherzustellen, dass Tom an der Verletzung stirbt. Einband Taschenbuch Seitenzahl Erscheinungsdatum More details. Dabei passiert sie den Vorort, Rolling Thunder Revue dem sie früher mit ihrem Ex-Mann Tom gewohnt hat. Rachel fühlt sich so gut wie schon lange nicht mehr, weil sie das Gefühl hat, zur Aufklärung des Falles beitragen zu können. Jess and Jason, she calls The Flash Online. Whatever she is doing to help she seems to enmesh herself even more into the case. Then she sees something shocking. The inter-twining of the stories of Rachel, Anna and Megan leads up to a sobering finish. In the end I was surprised to discover that I was actually quite awakened from the slumber-inducing first half hour or so and really wanted to see how this was going to end.
Emily Blunt's portrayal of Rachel was strong. The supporting cast was all right - I didn't think there were any outstanding performances aside from Blunt's, but it was Blunt's movie, and she pulled it off.
It has to overcome that slow and bewildering first half hour, and it won't appeal to those who want a straightforward plot or who are put off by a movie with overtly dark tones.
But by the time this was over I could honestly say that I was glad I watched it. Looking for something to watch? Choose an adventure below and discover your next favorite movie or TV show.
Visit our What to Watch page. Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew.
Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings.
External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. A divorcee becomes entangled in a missing persons investigation that promises to send shockwaves throughout her life.
Director: Tate Taylor. Added to Watchlist. From metacritic. Stars of the s, Then and Now. Biggest Golden Globes Nominations Snubs.
Top 10 Breakout Stars of Top horror movies. Reviewed for IMDB. Use the HTML below. You must be a registered user to use the IMDb rating plugin.
Edit Cast Cast overview, first billed only: Emily Blunt Rachel Haley Bennett Megan Rebecca Ferguson Anna Justin Theroux Tom Luke Evans Cathy Allison Janney Detective Riley Darren Goldstein Man in the Suit Lisa Kudrow Martha Cleta Elaine Ellington Oyster Bar Woman as Cleta E.
Ellington Lana Young Doctor Rachel Christopher Woman with Child Fernando Medina Pool Player Gregory Morley Emily Blunt Through the Years.
Taglines: Who do you trust when you can't trust yourself? The Girl on the Train is a American psychological thriller film directed by Tate Taylor and written by Erin Cressida Wilson , based on British author Paula Hawkins ' popular debut novel of the same name.
Principal photography began on November 4, , in New York City. The film premiered in London on September 20, , before it was theatrically released in the United States on October 7, Rachel Watson Emily Blunt is an on-off recovering alcoholic who aimlessly rides a train into New York City every day after losing her job and her marriage.
During her marriage to Tom, Rachel became depressed about her infertility and developed a drinking problem resulting in continual blackouts and destructive behaviour.
At a barbecue held by Tom's boss, she drunkenly made a scene and Tom was later fired because of it. Now, while drunk, she often harasses Tom and Anna, calling them multiple times throughout the day, though she has little memory of this once she sobers up.
On the way home one afternoon, Rachel becomes infuriated when she spots Megan kissing a stranger. She goes to confront Megan but hours later wakes up in her bed, covered in blood.
She later discovers Megan has disappeared, and Rachel is questioned by Detective Riley Allison Janney because she was seen in the vicinity that day.
Rachel contacts Scott, posing as Megan's friend, to tell him about the affair. Scott shows her a picture of Megan's psychiatrist Dr.
Kamal Abdic and Rachel identifies him as the man she saw kissing Megan. As a result, Abdic is questioned as a suspect but tells the police that Scott was emotionally abusive towards his wife, and suspicion shifts to him.
Megan is found murdered and tests reveal she was pregnant, but neither Scott nor Abdic was the father. Scott enters Rachel's house and aggressively confronts her for lying to him about knowing Megan, directing the police towards Abdic, and leaving him as the new suspect.
Rachel tries to report the assault to the police, believing Scott's violence suggests he may have murdered Megan, but Riley says that he has been ruled out as a suspect as there is CCTV footage of him at a bar at the time.
On the train, Rachel sees Martha Lisa Kudrow , the wife of Tom's former boss, and apologises for her behaviour at the barbecue where she believes she broke a platter, threw food, and insulted Martha.
Martha says she did nothing wrong, and it is revealed Tom had been fired for having sex with co-workers.
Rachel realises that Tom planted false memories in her head during her drinking binges, and was also violent toward her during her blackouts, which accounts for the injuries she had when she awoke.
Meanwhile, Anna suspects Tom of cheating and secretly finds a cell phone hidden in their house; a voicemail reveals that the phone belonged to Megan.
A now sober Rachel remembers that on the day of her disappearance, she caught Megan meeting Tom, and he hit her when she tried to confront them.
Realising that Tom killed Megan when she refused to abort his baby, Rachel warns Anna, who already knows. When both women confront Tom about his affair with Megan, he becomes angry, tries to force Rachel to drink alcohol again, throws the drink at her face, and then knocks her unconscious.
When Rachel awakens, she flees for the front door but it is locked. Tom tries to strangle her as Anna watches from the top of the stairs, guarding Evie.
Rachel doubles back through the kitchen and picks up a corkscrew. Outside, Tom grabs her and, as she turns, she stabs him in the neck with the corkscrew.
Anna then appears and twists it deeper into Tom's neck, killing him. Interviewed by Riley, Rachel and Anna tell identical stories about killing Tom in self-defense after he admitted that he was Megan's killer.
Anna admits that Rachel had been right about everything. Later, Rachel visits Megan's tombstone at a cemetery and states, "We are tied forever now, the three of us, bound forever by the story we shared.
DreamWorks Pictures acquired the film rights to Hawkins' novel and the film was planned for production by Marc E. Platt through Marc Platt Productions in March In June , Emily Blunt was offered the title role, the lonely and alcoholic divorcee Rachel.
Jared Leto and Chris Evans were in talks to join the film, where Evans would play Tom, Rachel's ex-husband, and Leto would play the neighbor's husband.
Kamal Abdic, who is having an affair with the married Megan, and becomes a suspect in her disappearance. Principal photography on the film began on November 4, , in New York City.
During post-production on the film, a cameo appearance by Paula Hawkins was cut from the film. However, DreamWorks and Disney did not renew their distribution deal, and in December , Universal Pictures acquired the film's distribution rights, as part of their new distribution deal with DreamWorks' parent company, Amblin Partners.
Universal retained Disney's original release date. The website's critical consensus reads, "Emily Blunt's outstanding performance isn't enough to keep The Girl on the Train from sliding sluggishly into exploitative melodrama.
IGN critic Terri Schwartz gave the film a score of 5. Alternately overly convoluted and predictable, the film relies too heavily on its twists while offering little in the way of character development, leaving its three central women as unrelatable and unlikable stereotypes.
Chicago Sun-Times ' Richard Roeper gave 2 stars out 4, and said that the film is "shiny trash that begins with promise but quickly gets tripped up by its own screenplay and grows increasingly ludicrous and melodramatic, to the point where I was barely able to suppress a chuckle at some of the final scenes".
From Wikipedia, the free encyclopedia. Theatrical release poster. Marc Platt Jared LeBoff. Michael McCusker Andrew Buckland.
Release date. Running time. Main article: The Girl on the Train film. Retrieved 18 June British Board of Film Classification.
September 13, Retrieved September 13, Feature Film Study. Film L. Retrieved August 14, Empire State Development.
June 30, Box Office Mojo. Retrieved March 10,
The Girl on the Train. MA 15+ 1h 51mThriller Movies. A voyeuristic divorcee who observes an idyllic couple from afar witnesses a shocking scene that. Starts somewhat slow but in short time becomes very gripping, and as the story progresses, it becomes even grippier still, maintaining that spectacular atmosphere from beginning to end. Entertainment Weekly. Jean Labrador I had to force myself to continue reading this book, so it took longer than usual. I noticed on my library Josh Duhamel that there is I tried to enjoy it! Rachel admires Megan and Scott since she believes they are the perfect couple. Am I glad I read the book? You'll Google Movie2k the scene, it involves Megan and something in her past. Certified Fresh Picks. Three for a girl. Ein spannender Thriller mit einer komplexen Handlung, gespickt Münster Wohnmobilstellplatz überraschenden Wendungen Dominion Online einem unerwarteten Ende. Bei der Obduktion wird festgestellt, dass Megan schwanger war, doch weder von Scott noch von Kamal. Rachel Berliner Uhr the same train every morning. More details. Lea OelsThalia-Buchhandlung Baunatal. Anna, die Toms Brutalität beobachtet und erkennt, dass es sich um Notwehr gehandelt hat, kommt hinzu und tötet den noch röchelnden Tom. Steirerblut Landkrimi, weil sie sich wieder erinnern kann, Tom und Megan zusammen am Mordabend gesehen zu haben, und Anna, weil sie Megans Telefon in Toms Sporttasche fand. Watch all you want.
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